In this video, he tests four popular APS-C and Micro Four Thirds bodies. Further, the autofocus points cover about 84 percent of the image area, which should make it easier to track moving subjects throughout the frame. The A6600 becomes the first A6000 model to sport a headphone jack and while it’s long overdue, I’m still pleased to see it here – along with the bigger battery, it’s another of the key upgrades over the A6400 and A6500. Sony A6600 shooters only have access to 4K30p or 1080p 120fps, just as in the A6300. The A6600 also becomes the first APSC model in the range to sport a (long overdue) headphone jack, and it now additionally supports eye detection in movies. The A6600 has Sony's Multi Interface hot shoe on the top as well, but it does not include the digital audio interface found on the A7R Mark IV. Above: the larger battery means a larger grip to accommodate it and I welcome having more to hold onto with a small body. Above:the A6600 inherits the articulated screen mechanism of the A6400, allowing it to angle down by almost 90 degrees and up by 180 to face you for selfies or vlogging; this represents greater flexibility than the earlier A6500, although it’s matched by most models now including Sony’s own cheaper A6100. Sony a6600: Video performance. Notice that the A6600 no longer has a built-in flash, a first for Sony's 6000-series. Above: I mentioned it earlier, but it’s worth repeating that not only does the A6600 still only have one card slot, but it’s limited to UHS-I speeds, which means you can be waiting a while for a full buffer to clear after a long burst or a bunch of RAW images – you can see the images counting down in the top left corner here. The new Sony A6600 will go on sale in November and will be sold both body-only and as a kit with the Sony E 18-135mm lens. The Sony a6600 has an industry-leading autofocus system, is capable of excellent images and video, comes with very useful in-body image stabilization and has the best battery life of any mirrorless camera on the market at this time. This shifts the sensor to stabilise any lens you attach and like the A6500 before it, with variable results depending on your movement at the time. It’s no different from other recent Sonys, but it still works well. The Sony A6600 blends many aspects of the Sony A6400 and A6500 cameras while also adding some new features. Except some exotic 6K and 8K video recording cameras, 4K is the new standard in consumer video … It’s paired with the latest BIONZ X processor. The X-T4 and the A6600 use the APS-C format (the sensor size is 23.5mm × 15.6mm). Compare it to the Fujifilm X-T3 for instance which in my tests managed less than 400 photos or just one hour’s worth of 4k video (cut into two clips too) on a single charge. Reviews Beyond the studio tests Feature Articles and Videos see how we see Sample Galleries real world performance Field Test Videos Throwback Thursday Classic Cameras from Days Past What's that Noise? In this review I will be covering the Sony FE 200-600mm G OSS Lens from a Real World Perspective using the Sony A6600 which will yield me an effective 300-900mm range!! This larger battery offers up to approximately 810 shots, which is about 2.2x better than the battery life of the A6400 and A6500 cameras, which use Sony's smaller W-type battery. In terms of buffer depths, Sony rates the camera for 46 raw images at 11 fps and 116 JPEG images before the buffer fills, but we will verify these specs in our lab testing. The A6600 is identical to the A6500 in terms of dimensions, but there is one major … There may be no 4k above 30p, nor any 10-bit recording internal or external – all of which is available on the Fujifilm X-T3 – but there’s no arguing with the quality of Sony’s oversampled 4k footage. In total, the A6600 weighs 1.11 pounds (503 grams) with the larger Z battery inserted (more on that later) and with an SD memory card. For customizing the autofocus performance, the user can adjust the AF drive speed and AF tracking sensitivity for recording video. The A7 III sensor has a BSI structure (back-illuminated) whereas the A6600 chip features a copper wiring layer to improve transmission. That said, it was less successful when I was walking and filming as I’ll show you later. Instead it’s Sony’s earlier Multi Interface Shoe, although this will still power the ECM-B1M and support an analogue connection without a cable; so while there’s an unnecessary conversion from digital to analogue then back again with the possibility of an increase in noise, the mic can still apply its DSP effects and I’ll demonstrate them later. Above: in the first disappointment on a $1400 flagship body, the A6600 continues to employ a single SD card slot, and worse, it still won’t exploit the speed of UHS-II cards – an annoying decision for a camera that’s otherwise so effective for sports, action and wildlife, and after shooting a large burst you can be left waiting some time for the buffer to clear. Sony a6600 Specs. It looks a lot like Sony's other a6000-series models at first glance, but this one has the biggest battery and the best build quality of the bunch, even if the images it produces are broadly comparable to the less expensive options. But where the A6400’s smaller battery ran out after around one hour’s worth of 4k, the bigger battery in the A6600 allowed me to record a single 4k 24p clip beyond three hours without even having to reduce the over-heating warning. However, I have to say this video is a bit disappointing. Announced Aug 28 ... Sony a7C review. Infuriatingly the chunky icons of the Function menu remain untappable, as does the main menu system, while in playback Sony ignores years of smartphone intuition by not even allowing you to swipe between images. The A6600 includes persistent real-time tracking and real-time eye AF. For starters, the native ISO range is now 100-32,000, whereas the A6500's native range topped out at ISO 25,600. Announced in August 2019, it replaces the three-year-old A6500 as Sony’s flagship body and like that model, follows the most recent unstabilised Alpha body, in this case, the A6400, by just seven months. To be fair, Fujifilm’s X-T3 doesn’t have a popup flash either, but at least it includes a small bounceable flashgun in the box. Any photo editing software will damage this data. The Fuji model has slightly more resolution: 26.1MP versus 24.2MP on the Sony. Having gone hands-on with the A6600 in New York, the front grip does feel better and more comfortable. The rear of the camera looks quite similar to the A6400 and A6500, including a variety of buttons, control dial and select button. On the top of the camera, there are a pair of custom buttons, a dedicated mode dial (with two custom mode slots) and a rear command dial. Due to IBIS low ISO is possible even I low light and that is richer color and no noise. (69.3mm). Burst speeds are unchanged from the A6300, which means a top mechanical speed of 11fps with autofocus or 8fps if you’d like live-ish feedback between frames. Sony has long been saying that they will continue to support their APS-C mirrorless cameras and at an event last week in New York City, the company showcased their commitment to the format. The camera also includes touch focus and touch shutter functionality. Esta es la Sony A6600 , ¿Es la mejor cámara Sony Alpha APS-C? Do however note that their combined price is roughly the same as the full-frame A7 III fitted with the Tamron 28-75mm f2.8 zoom, so literally something to weigh-up in comparison if you don’t mind the larger combination. Above: in another disappointing move, the A6600 inherits the 2.36 Million dot OLED viewfinder introduced back on the A6300 three and a half years ago. 5 years in technology is a long time, and there are many photographers who wouldn’t even consider a camera that’s 1 year old, let alone 5. In terms of wireless connectivity, the camera includes Wi-Fi , NFC and Bluetooth. If you like to grade your footage, there’s the usual array of Picture Profiles available, including S-Log 2, 3 and HLG, although again no 10-bit option. At the core of its imaging pipeline, the A6600 includes a 24.2-megapixel CMOS image sensor and Sony's latest Bionz X image processor. The A6600 now includes a built-in intervalometer, but it drops Sony's in-camera Sweep Panorama support. I’ve got to a point with Sony cameras where I rarely over-ride the Wide area mode with Real Time Tracking as it simply works so well for most subjects. This is great when filming 16:9 video as it fills the screen, but when shooting still photos in the native 3:2 shape, the image will be presented in a crop with black bars on the left and right sides. I just found your tutorial on the Sony a6600, which I recently purchased. Nikon Z TC-1.4x TC-2.0x teleconverter review. Don’t get me wrong, it’s not bad, but just outclassed in resolution by a number of rivals, again including the Fujifilm X-T3 which sports a 3.69 Million dot panel that’s more typical on a flagship body in 2019. The video below was shot with the Sony A6600 in 4K at 25p and 100Mbs hand-held to test the in-body image stabilisation (IBIS). In this video I will go over the initial set-up of the Sony A6600 so you can skip the manual and get out there and start taking photos and recording videos as fast as possible.. In addition to the aforementioned mic and headphone jacks, the camera also includes Micro HDMI (Type D) and USB 2.0 (Micro-B) ports. Above: Set the camera to 4k and you can film uncropped footage oversampled from 6k’s worth of data in 24 or 25p, or you can opt for 30p which incurs a mild crop. With respect to the camera's operability while writing to the card, which has long been a sore spot with Sony cameras, the A6600 promises improved performance here, although during our hands-on time with the camera there were still some issues, which we will investigate further when we get extended time with the camera. The shutter block remains unchanged too with a top mechanical speed of 1/4000 when most rivals at this price boast 1/8000. Start with my video review below, or if you prefer scroll beyond it to the written version, then check out my quality results, sample images and final verdict pages! The A6600 is dust- and moisture-resistant, and the top cover, front cover, internal frame and rear cover are all constructed using lightweight magnesium alloy. Sony's a6600 doesn't exactly introduce any brand new technology, but its combination of winning features like a higher-capacity battery and seamless tracking autofocus means it's shaping up to be a very compelling camera. The A6600 certainly shares a great deal with the A6400, including the same 24 Megapixel sensor, AF system, 11fps bursts, unlimited movie recording, XGA viewfinder and tilting touchscreen, but it adds more than just built-in stabilisation. When compared to the A6500, the A6600 includes a higher extended ISO (102,400 versus 51,200). The A6600 can record at up to 100 Mbps bit rates in the XAVC S format. Announced in August 2 Above: The A6600 inherits the movie quality, video autofocus and unlimited recording of the A6400 before it, with the only new feature being support for eye-detection; since face detection already worked so well though, it’s not a significant upgrade over the cheaper model. Like prior tilting Sony displays, the A6600's display does not tilt to the side. 2 This product is also known as ILCE-6600, ILCE-6600M, ILCE6600/B, ILCE6600M/B 3 ©2020 Sony Electronics Inc. Like many new cameras, it combines or enhances elements from existing models, so at the heart is the 24 Megapixel sensor introduced on the A6300 with its broad and confident autofocus coverage, 11fps bursts and oversampled 4k video up to 30p. Since the main body design hasn’t changed, the A6600 inherits the 3in 16:9 shaped screen of its predecessors, making it wider than most. The 24.2 Megapixel APS-C Exmor CMOS sensor has a typical 1.5 times crop factor. In my tests the built-in stabilisation may not have delivered the eerie floating effect of the best models out there, but still proved beneficial for static shooting. The HDMI port will output clean 4k, but sadly there’s still no 10-bit here internal or external, again a feature available on the Fujifilm X-T3 and even externally on the cheaper X-T30. With Sony A6600, you can record your videos at a highest resolution of 3840 x 2160 at 30p,25p,24p fps and save in MPEG-4, AVCHD and XAVC S formats. Although both cameras give you an output of 24MP (6000×4000), the sensor found inside their bodies is different. I’m also disappointed to find the hotshoe doesn’t support a digital connection with the new microphone launched with the A7r IV (although you can still use it in analogue mode). Plus, a pair of new APS-C lenses, a 16-55mm f/2.8 standard zoom and a 70-350mm telephoto zoom lens, were also announced. Like the A6400, the viewfinder remains XGA in resolution, there’s only one card slot (albeit rotated within the chunkier grip in order to accommodate the bigger battery), and while 4k at 24 and 25p use the full sensor width and oversample from 6K’s worth of data, 4k at 30p still incurs a minor crop. The A6600, like the A6XXX series cameras, can shoot at up to 11 frames per second continuously with full AF/AE. In my full review I’ll help you weigh-up all of the options to help you find the right camera! In terms of body design, the A6600 has an extended tilting range for its touchscreen and includes a headphone jack. May not be used without permission. Fujifilm’s X-T3 has twin SD slots, both of which exploit UHS-II speeds, and it’s also one of the first aspects about the A6600 which might have you considering the full-frame A7 III instead. Here’s an example I filmed in 4k 24p and it’s jam-packed with detail. Sony announced two new APS-C cameras, including the flagship A6600 camera. In terms of video alone, I even managed to record a single 4k 24p clip lasting three hours and 25 minutes on a full charge.